All-time classics in Tammisaari 19.4.

Sun 19.4.2020 at 18.00
Tammisaari Church, Tammisaari

CLASSIC ” means a work that has achieved a universally recognised and appreciated status, regardless of genre. The classics are not universal or typical of their time, but summarise something essential about their culture and their era. For example, the chamber orchestra Avant should be considered a classic.” (Antti Häyrynen)

Avanti! will play classics from the baroque, romantic, jazz and folk music genres at Tammisaari Church in April 2020. The concert will feature György Ligeti’s String Quartet No. 1.

The Classics of All Time concert is part of the AUF series, a joint effort by Avant, UMO and FiBO, where top orchestras from different genres invite listeners to experience a wide range of musical delicacies.

 

Anna-Leena Haikola, violin
Terhi Paldanius, violin
Riitta-Liisa Ristiluoma, viola
Mikko Ivars, cello
Kari Kriikku, clarinet
Jouko Laivuori, piano

 

Programme:

A mix of Beethoven and contemporary music:
Jukka Tiensuu: Tombeau de Beethoven

Romantic classic:
Robert Schumann: Piano Quintet in E-flat major op. 44, Part II:
In moto d’una marchia, un poco largamente

Folk music classics:
Béla Bartók’s duos for two violins and Finnish folk music pieces

Baroque classic:
Carlo Farina: Capriccio stravagante

Jazz classic:
Duke Ellington: Mood Indigo
sov. Seppo Kantonen

A new music classic:
György Ligeti: String Quartet No. 1, “Métamorphoses nocturnes”

Allegro grazioso
Vivace, capriccioso
Adagio, mesto
Presto
Andante tranquillo
Tempo di Valse, moderato, con eleganza, un poco capriccioso
Allegretto, un poco gioviale
Prestissimo

 

The concert is organised by Ekenäs Konsertgarantiförening rf

AUF: MUSIC FROM ALL OVER – from Baroque to Hollywood

Tue 15.9.2020 19.00

The Helsinki Music Centre

Heikki Kossi, foley artist

Antti Tikkanen, violin

Avanti! Chamber Orchestra

UMO Helsinki Jazz Orchestra

Finnish Baroque Orchestra (FiBO)

 

The second cooperation concert by the AUF orchestras demonstrates how recycled junk sounds in the hands of a foley artist, what Vivaldi’s Seasons sound like in a remix version, and what kind of links there are between the concert’s pieces and the world of cinema.

Sami Klemola’s composition Jack and the Specifics is created for foley artist and chamber orchestra. It is reportedly the first time when the solo parts of a concerto are written for a foley artist, in this case Heikki Kossi. Kossi is a sound artist who produces e.g. sounds of footsteps and creaking doors for movie soundtracks. Kossi has worked with tens of Finnish films and he has also succeeded internationally. He creates the foley sounds live in the concert. The visual element is strongly present as Kossi, who performs with Avanti! Chamber Orchestra, brings with him a giant kiosk full of things to make sounds with.

Afro-Bossa is one of Duke Ellington’s most remarkable and original compositions. In a fascinating way it demonstrates how the maestro, close to retirement age, still found new ways to journey through the world of blues. Regardless of its name, the piece does not refer to Brazilian music. Instead, it is an abstract combination of African and Latin influences that like an approaching procession, on wings lent by the bolero rhythm, reach an exploding climax. In addition to Ellington’s work, UMO Helsinki performs Jukka Tiensuu’s pulsating piece Umori. Once again Tiensuu showed the music world his unfailing gifts as a visionary, when he reinvented the big band ensemble musically for the piece. The piece is not, however, an antithesis or negation to the big band tradition, but rather an astonishingly carefree update of the unused resources of the large jazz orchestra.

The distance between the past and the present is short – sometimes even subtle. FiBO presents an ear-opening version of Vivaldi’s Four Seasons, more than familiar to friends of Baroque music, as the concert finale is Max Richter’s Four Seasons Recomposed, premiered in 2012. It modifies the Four Seasons concertos into minimalist remixes. Sometimes Vivaldi and Richter choose the same direction, and sometimes Richter twists the music into an unexpected angle or stretches it into cosmic Baroque sceneries through repetitions. The result of the recoloured harmony bases and surfaces reminding of electronic sounds is ear-tickling and intelligently performed ambient Vivaldi. The Finland premiere with period instruments last year, organised by violinist Antti Tikkanen and FiBO, delighted international concert organisers, and the performance is taken to Southern Europe this year. The concert received exceptionally praising feedback from Art Testers in eighth grade, so the Four Seasons captivate audiences regardless of age group.

 

The concert is part of the AUF cooperation of Avanti!, UMO Helsinki Jazz Orchestra and the Finnish Baroque Orchestra that was started in the fall of 2017. The first grand cooperation concert was held in the fall of 2019.

Before the concert a concert presentation is held in the main foyer at 6 pm.

 

UMO Helsinki Jazz Orchestra

Duke Ellington: Afro-Bossa (1963)

Jukka Tiensuu: UMORI (2004)

  1. Kumous / Riscossa
  2. Umous / Hunch
  3. Kumotus / Clair de lune
  4. Fever / Fever

Avanti! Chamber Orchestra

Heikki Kossi, foley artist

Sami Klemola: Jack and the Specifics (2017)

  1. The Forest
  2. Man in the Cabin
  3. The Crash
  4. Intermezzo
  5. Friction
  6. Underwater
  7. Message deleted
  8. Tom, Jack and bipolar Jerry
  9. Machina
  10. Cadenza
  11. Exit
  12. Still life

interval

Finnish Baroque Orchestra (FiBO)

Antti Tikkanen, violin

Max Richter: Four Seasons Recomposed (2012)

  1. Spring
  2. Summer
  3. Autumn
  4. Winter

 

Tickets: ticketmaster.fi

 

AUF: ALL THE MUSIC OF THE WORLD – From Baroque to Hollywood

Tue 15.9.2020 at 19.00
Music House, Helsinki

Heikki Kossi, foley artist
Antti Tikkanen, violin
Chamber Orchestra Avanti!
UMO Helsinki Jazz Orchestra
Finnish Baroque Orchestra (FiBO)

Three top orchestras – Chamber Orchestra Avanti!, UMO Helsinki Jazz Orchestra and Finnish Baroque Orchestra (FiBO) – will once again perform in a joint autumn concert, offering surprising treats and a wide range of skills to delight and inspire the audience! How does a recycled refrain sound on a Foley artist’s kiosk, what does Vivaldi sound like in a minimalist remix version, and what links can be found between the works in the concert and the world of cinema?

Avanti! and the world’s first foley concert
Jack and the Specifics, composed by Sami Klemola, is for foley artist and chamber orchestra. It is reportedly the first time that the solo parts of the concerto have been written for a foley artist, in this case Heikki Koss. Kossi is a sound artist who creates soundtracks for films, including the sound of footsteps and doors creaking. Kossi has worked on dozens of Finnish films and has also enjoyed international success. He performs foley sounds live in a concert situation. There is a strong visual element when Kossi, performing with Avant, brings a huge kiosk full of merchandise with him to produce the sounds.

UMO Helsinki and two ever-renewing maestros
Afro-Bossa is one of Duke Ellington’s most remarkable and original compositions. It’s a stunning demonstration of how the retired maestro still found new ways to travel the world of blues. Despite its name, the work makes no reference to Brazilian music, but is instead an abstract blend of African and Latin influences that, propelled by a bolero rhythm, reach an explosive climax like an approaching procession.

In addition to a piece by Duke Ellington, the UMO will perform a tickling piece by Jukka Tiensuu called Umori. As always with Jukka Tiensuu, he once again showed the music world his unfailing visionary talents when he musically reinvented the big band ensemble in Umori. However, the work is not an antithesis or negation of the big band tradition, but rather an astonishingly unforced glowing update of the unused resources of the big jazz orchestra.

UMO Helsinki Jazz Orchestra plays a wide range of music from jazz to soul and classical music, surprisingly combining new and old.
umohelsinki.fi

A Finnish baroque orchestra combines past and present
The distance between past and present is short – sometimes a hair’s breadth. A more familiar version of Vivaldi’s Four Seasons will open the ears of baroque lovers when the Finnish Baroque Orchestra (FiBO) concludes the concert with Max Richter’s Four Seasons Recomposed, premiered in 2012. It models the Four Seasons concertos as minimalist remixes. Sometimes Vivaldi and Richter walk in lockstep, sometimes Richter jerks the music into an insightful angle or stretches it through repetition into cosmic baroque landscapes. The result of recolored harmonic bases and surfaces reminiscent of electronic sound mats is a deafening and intelligently realized ambient Vivaldi.
Antti Tikkanen and the Finnish Baroque Orchestra will interpret the work this year in Helsinki’s Musiikkitalo as well as in Central Europe.

The Finnish Baroque Orchestra (FiBO) is known for its skilful performances, bold and innovative working methods and creative repertoire design.
fibo.fi

The concert is part of the AUF collaboration between Avanti!, UMO Helsinki Jazz Orchestra and Finnish Baroque Orchestra since autumn 2017.

Before the concert, there will be a Get more out of the performance event in the main hall of the Music Hall at 18:00.

 

15.9.2020 at 19.00 Helsinki Music Hall
At 18 Päälämpiö – More out of the performance (20 min)

UMO Helsinki Jazz Orchestra

Duke Ellington: Afro-Bossa (1963, 4:30)

Jukka Tiensuu: UMORI (2004, 19:00)
1. Kumous / Riscossa
2. Umous / Ahnung
3. Kumotus / Clair de lune
4. Kuumotus / Fever

Chamber Orchestra Avanti!
Heikki Kossi, foley artist

Sami Klemola (1973): Jack and the Specifics (2017, 22:00)
1. The Forest
2. Man in the Cabin
3. The Crash
4. Intermezzo
5. Friction
6. Underwater
7. Message deleted
8. Tom, Jack and bipolar Jerry
9. Machina
10. Cadenza
11. Exit
12. Still life

Interim

Finnish Baroque Orchestra (FiBO)
Antti Tikkanen, violin

Max Richter (1966-): Four Seasons Recomposed (2012, 45:00)
1. Spring
2. Summer
3. Autumn
4. Winter

 

Tickets: ticketmaster.fi

La Passion de Simone by Kaija Saariaho in Helsinki 2020

The theatrical ensemble version of Kaija Saariaho’s La Passion de Simone will have its Helsinki premiere in The Helsinki Music Centre in Easter 2020.La Passion de Simone offers a new kind of Easter experience, even for those with long Easter traditions.Through its philosophical perspective the oratorio appeals also to the younger audience.

A Paris-based music theatre company, La Chambre aux échos commissioned the chamber orchestra version of the oratorio in 2012 and gave the first premiere in November 14th 2013 in Melos-Ethos Festival in Bratislava, Slovakia. The oratorio has since been performed on several festivals (Saint-Denis, Bergen, Njord, Lublin) as well as New York, Paris and Copenhagen and various opera houses in France.

In Helsinki, the artists from La Chambre aux échos will be performing together with Avanti! Chamber Orchestra. The performance is conducted by Clément Mao-Takacs, a Saariaho specialist, and directed by Aleksi Barrière.

 

SUN 12.4.2020 19.00

MON 13.4.2020 16.00

 

Kaija Saariaho
composer

Amin Maalouf
libretto

Clément Mao-Takacs
conductor

Aleksi Barrière
director

Avanti! Chamber Orchestra

Sayuri Araida
soprano soloist

Isabelle Seleskovitch
actor

Sandra Darcel (soprano)
vocal quartet

Marianne Seleskovitch (mezzo-soprano)
vocal quartet

Johan Viau (tenor)
vocal quartet

Romain Dayez (bass baritone)
vocal quartet

 

music house.fi

Saariaho’s La Passion de Simone at the Helsinki Music Centre

The staged ensemble version of composer Kaija Saariaho’s La Passion de Simone will be performed for the first time in Helsinki, at the Helsinki Music Centre’s Concert Hall, at Easter 2020.For audiences who might traditionally head to church and passions at Easter, the work offers an opportunity for a new kind of Easter experience. Through its philosophical ideas, the work will also appeal to a younger audience.

The Paris-based musical theatre group La Chambre aux échos commissioned a chamber orchestra version of La Passion de Simone and premiered it on 14 November 2013 at the Melos-Ethos festival in Bratislava, Slovakia. The production has since travelled to festivals (Saint-Denis, Bergen, Njord, Lublin), New York, Paris, Copenhagen and various opera houses in France.

In addition to La Chambre aux échos, the Finnish chamber orchestra Avanti! The conductor is Saariaho specialist Clément Mao-Takacs. The stage director is Aleksi Barrière.

 

Sun 12.4.2020, at 19:00

Mon 13.4.2020, at 16:00

 

Kaija Saariaho
composition

Amin Maalouf
libretto

Clément Mao-Takacs
conductor

Aleksi Barrière
steering

Chamber Orchestra Avanti!

Sayuri Araida
soprano soloist

Isabelle Seleskovitch
actress

Sandra Darcel (soprano)
vocal quartet

Marianne Seleskovitch (mezzo-soprano)
vocal quartet

Johan Viau (tenor)
vocal quartet

Romain Dayez (bass baritone)
vocal quartet

 

music house.fi

ZENG – Lotta Wennäkoski 50th Anniversary Concert

SAT 8.2.2020 19.00

Ballroom G18 (Yrjönkatu 18, Helsinki)

Avanti! celebrates the 50th anniversary of the composer Lotta Wennäkoski in a concert, performing four of her most significant chamber orchestra works. Among the orchestral pieces, Wennäkoski will be seen on stage as well, performing Hungarian folk songs.

 

Jósef Hárs, conductor

Virpi Räisänen, mezzo-soprano

Eero Saunamäki, recorders

Heikki Nikula, bass clarinet

Ville Syrjäläinen, percussion

Avanti! Chamber Orchestra

 

Lotta Wennäkoski:

I stället för vingar (2014-16)

Hele (2018)

Hear II (2007)

Zeng (2018-19)

and Hungarian folk songs

 

Tickets:

https://www.lippu.fi/artist/avanti/

AUF: With pleasure Avanti! – Feeling Free

SAT 28.3.2020 13.00

The Helsinki Music Centre

Marzi Nyman (quitar), Arttu Takalo (vibraphone) and Tero Toivonen (French horn) are back together with string quartet from Avanti! Chamber Orchestra. The repertoire of the concert, a rich fusion of jazz, classical and popular music, is composed mainly by the soloists. Nothing is what it seems, but everything is exactly what it sounds like!

The concert is part of AUF concert series, produced together by Avanti!, UMO and FiBO in collaboration with The Helsinki Music Centre.

 

Marzi Nyman, guitar

Arttu Takalo, vibraphone

Tero Toivonen, French horn

Maija Linkola, violin

Mikaela Palmu, violin

Tuula Riisalo, viola

Iida Vilhelmiina Sinivalo, cello

 

Tickets:

https://www.musiikkitalo.fi/en/events/2020-03-28/auf-ilolla-avanti