Skip to content

The XXXIII Summer Festival was a success, with conductor Baldur Brönnimann as artistic designer for next year’s Summer Festival

Share this

Sunday marked the end of Avant’s 33. The summer concert was a success. The ticket sales target for the concerts was exceeded, and the feedback from both the public and the media has been positive.

The trio who planned the summer concert, long-time Avant-garde musicians Timo Ahtinen, Hanna Juutilainen and Jukka Rautasalo, created the programme with an Avant-garde approach, covering music from as wide a time period as possible. The festival’s home towns of Pernaja and Porvoo were also present in the selection of works. The XXXIII Suvisoito featured a total of 12 concerts in Pernaja, Porvoo Tuomiokerko, Pikkukerko and Taidetehta. The programmes included music from the 15th century to the present day. In addition to the festival fanfare composed by Jukka Tiensuu, the programme included three other premieres. As always at Suvisoito, one of the concerts was dedicated to children.

Launched in spring 2018, Pro Avanti! Association will continue the activities of the chamber orchestra Avant and the Suvisoitto Festival, which has been closed down due to financial difficulties. ry. Avanti! is looking to the future with confidence, even though its finances are significantly tighter than before.

So Avant’s work continues and planning for the next Summer Play is already underway. Swiss-born conductor Baldur Brönnimann is planning the XXXIV Summer Festival. The next Summer Festival will take place on 26-30 June 2019.

 

Baldur BrönnimannBaldur Brönnimann

Conductor Baldur Brönnimann has made a name for himself as an interpreter of new music. He is Principal Conductor of the Basel Symphony Orchestra and the National Orchestra of Porto in Portugal. Brönnimann’s repertoire is creative and wide-ranging, and he is also an acclaimed opera conductor. He was introduced to Avant at the 2011 Musica Nova Helsinki event. Since then, he has also been guest conductor of the Helsinki City Orchestra.
In his list of nine wishes for what he would like to see happen in classical music in 2018, Brönnimann mentions, among other things, greater risk-taking: “We have a vast amount of recorded data on the interpretation of works, which can be a barrier to personal approaches. Classical music needs more raised eyebrows.” He also challenges orchestras to have the courage to bring music they believe in into their programmes. “There is quite enough populism around us today. Let’s at least keep it out of the concert halls.”

Subscribe to the newsletter

Be the first to know about concerts and events.

More news

Kamariorkesteri Avanti!
Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.